lucienne day postermauritania pronunciation sound

An inspired colourist, Lucienne was always meticulous about selecting the colourways for her patterns. The brief was complex and demanding, including restaurant and foyer furniture, auditorium seating and orchestra chairs, each with specific functional demands. Acting as mutual catalysts, they spurred each other on to realise their ambitions and to produce their most original work.The war and its government-regulated aftermath delayed their careers, but made them even more determined to succeed. She sought to create a similar energy and vitality in her patterns through dynamic, ebullient compositions, as in 1953’s Spectators and Perpetua, and bold colour contrasts, as in the 1956 Herb Antony. See more ideas about Lucienne day, Textile design, Textile patterns. Much of his public seating was used for decades after its original installation, notably his 1960s Gatwick benches in Tate Britain, 1980s auditorium seating for the Barbican Art Centre in London and 1990s Toro and Woodro seating on London Underground.Robin studies design at the Royal College of Art, specialising in furniture and interior designLucienne studies design at the Royal College of Art, specialising in printed textiles and meets Robin at an RCA dance in 1940The couple marry and set up home in a maisonette at 33 Markham Square, Chelsea.During the war they teach at Beckenham School of ArtLucienne designs dress fabrics for companies, including Stevenson & Son, Mark & Spencer and Horrockses, and furnishing fabrics for Cavendish Textiles (John Lewis), Morton Sundour and Edinburgh WeaversRobin teaches at the School of Architecture at Regent Street Polytechnic, where he meets the architect Peter Moro. Lucienne Day OBE (1917 - 2010) is Britain’s most distinguished textile designer of the 20th century, esteemed for her acute understanding of pattern, colour and scale. In 1957 Lucienne reflected: “In the very few years since the end of the war, a new style of furnishing fabrics has emerged… I suppose the most noticeable thing about it has been the reduction in popularity of patterns based on floral motifs and the replacement of these by non-representational patterns — generally executed in clear bright colours, and inspired by the modern abstract school of painting… Probably everyone’s boredom with wartime dreariness and lack of variety helped the establishment of this new and gayer trend. Seizing this opportunity, he designed a series of simple, functional chairs, tables, desks and storage units that harnessed the latest wood and metal-working techniques. It also explains their astonishing productivity throughout the 1950s. They rose to prominence during the 1951 Festival of Britain, which provided an ideal showcase for their talents. A worldwide hit, produced in the millions, it has spawned innumerable copies, although none can compare with the subtlety of the original.

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