two roads diverged meaningmauritania pronunciation sound

We have to choose, and most terrifyingly, the choice may not actually matter. Frost’s poetry always engages us on several levels, from its sound to the seeming simplicity of its subject matter and to the depths that are revealed when his poems are given the close attention they deserve. In "The Road Not Taken," the meaning of the poem is about a person having to choose between two roads. Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; The analysis of some of the major poetic devices used in this poem is given here.This analysis shows that this poem, though, seems a simple and innocent composition, points to the reality of making decisions in complex situations.

Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; 1. The story that the poet will tell is that:Notice the stuttering, repetitive “I” that Frost uses both to maintain the rhyme scheme (“I/by”) but also to suggest the traveler/poet’s uncertainty about who made the choice. For any mass audience to recognize any poem is (to put it mildly) unusual. Two roads diverged in a wood and I— I took the one less traveled by, And that has made all the difference. "The Road Not Taken" is a poem by Robert Frost, published in 1916 as the first poem in the collection Mountain Interval. These two lines could be used when delivering lectures or speeches about decision-making choices in life such as:The two lines given below can be quoted during a speech when remembering a hard time of one’s life.“I shall be telling this with a sigh / somewhere ages and ages hence.” ‘Ages and ages’ is an example of alliteration. The stanza is retrospective as the traveler/poet looks back on his decision – “ages and ages hence” – and comments how we create a life through the poetic fictions that we create about it to give it, and ourselves, meaning.

The difference, the life, is created in the telling, something that Frost does, of course, masterfully.It is hard not to see the poem’s conclusion as Frost’s early commentary on his own career. Working through the problem of choice, by the end of the poem he makes his choice in a famous statement of flinty individualism, the very characteristics said to define the New Englander and Frost himself:  Yet when you read through the description of the roads after Frost has set out the problem in the opening stanza about having to make a choice, one realizes that neither road is “less travelled by.” The poet/traveler looks at one “as far as I could/To where it bent in the undergrowth;” and doesn’t go that way but instead:Again there is confusion about the condition of the roads. He was survived by his wife and three young children. In the commercial, this fact is never announced; the audience is expected to recognize the poem unaided. The speaker stands in the woods, considering a fork in the road. In other words, our preferences in life make us different from others.2.

Frost’s popular appeal is all here in the layers of the poem, from the deceptively simple (yet masterfully rhyming) iambic lines to the evocation of mild regret of having made a seemingly innocuous choice. Line 20 “And that has made all the difference.”

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