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"It was evangelical," Steve Van Zandt says of Lewis' singing.

With his throaty, impeccably controlled roar, Rodgers was born to sing over big guitars — which he did again and again, most notably with pioneering rockers Free and the Seventies hitmaking machine Bad Company. He met fellow struggling club singer Dave Prater on the Miami R&B circuit in 1961; their partnership spawned supercharged classics such as "Soul Man" and "Hold On, I'm Comin'." It grabs you by the throat. "I truly believe that's where the passion of voice comes from." "The sound of his voice represents a whole kind of man to me," says Krauss.

But his rejection of convention is also why he redefined the sound of British rock for the past quarter-century. And Muddy's voice carries that whole song — there's no musical changes at all. How appalling!Contrary to anything you’ve heard, the ability to actually carry a tune is in no regard a disability in becoming a rock & roll singer, only a mild disadvantage.

"I got the idea of the voice as an irritant from Mick Jagger," Iggy told "I want to be in tune," James Taylor told Rolling Stone in 2008. "She can sound like a beautiful angel — or she can make it sound like she's gargling glass. "Sly was definitive cool," says Gnarls Barkley vocalist Cee-Lo.

Steve Van Zandt grew up listening to hits such as "Be My Baby," but the true power of Ronnie Spector's singing only reached him later. 'Tom Waits' voice "has the smoothness of Barry White, but the raspiness of a mountain lion," says hip-hop producer RZA. It takes everything, every faculty you've got. verschiedene Instrumente (Gitarre No one else plays the drums or sings like Levon, much less doing it at the same time. Such self-deprecation is typical, but others hear her childlike quaver and soulful delivery as effervescent, joyful, heartbreaking — sometimes all in the same song. "You try to be authentic as a person, with all the doubt, wonder and mystery of being alive." If it's in your soul, it'll come out." Parton has impacted stars as far-flung as Whitney Houston and Jessica Simpson. Christina Aguilera has had the finesse and power of a blues queen ever since she was a child star (she appeared on Star Search at age 11). Check out "I Threw Away the Rose," in which one of those low notes comes from out of nowhere, adding a visceral thrust to the lyrics' desperation. He leaves you speechless." "She's so tiny, and this big, deep voice comes rattling out, and I think that's very sexy," said Debbie Harry of Blondie. "I wear my heart on my sleeve."

Conversely, nothing in the vocal limitations of a Lou Reed guarantees a “Pale Blue Eyes” every time out, any more than singing as crazy-clumsy as Tom Waits guarantees a “Downtown Train.” Yet there’s a certain time-tested sturdiness to the lowchops approach forged by touchstone figures like Bob Dylan and Jim Morrison and Jonathan Richman, one that helps define rock & roll singing.For me, Bob Dylan and Patti Smith, just to mention two, are superb singers by any measure I could ever care about — expressivity, surprise, soul, grain, interpretive wit, angle of vision.

A great singer is somebody who makes you believe what they're saying, and you always believe Annie." theater crowd shot. "They had a blend that only brothers could have," says Dion. Heavyweights such as Elvis Presley, Bob Dylan, Bruce Springsteen and John Lennon were all on record as fans of his rowdy vocals. "You can feel it comin'," said Pickett, "and you don't let go until the moment is exactly right." He brought sweetness and wonder to his classic harmonies with Paul Simon, a delicacy that defined those songs, and some of the hopes of the late Sixties. Stone's vocals mutated from the wild exuberance of "Dance to the Music" to hazy isolation on Merle Haggard's tough but smooth baritone epitomized Sixties and Seventies country, from the stubborn attack of "Okie From Muskogee" and "The Fightin' Side of Me" to the delicate crooning on "Silver Wings" and "If We Make It Through December." "But I didn't know she could sing like that. American Idol Star & International Platinum-Selling Recording Artist, JASMINE TRIAS, with British Singing Sensation & Royal Command Performer, BEN STONE.

"He made you listen." She'd had some trepidation about playing to secular audiences, but as her father, Roebuck "Pops" Staples, told her, "The people in the clubs won't come to church. Die berufliche Laufbahn von Ben Stone: bis heute Singer / Musican (Der Unternehmensname ist nur für eingeloggte Mitglieder sichtbar.) Sam and Dave split for good in 1981; two years ago Moore released his first solo album in more than 35 years, featuring guest spots from Sting and Bruce Springsteen. If you really check Muddy Waters out in performances on tape, he's almost not even there. "She gave us permission to bring a whole new level of strength and intelligence," Smith says.

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